Hogans heros. A luft stalag. Great series. Germany laughs at itself. You know me Hogan, I know…
Who is missing.
You know me Hogan, I know nothing. Nothing.
* * *
Unlike the Academic leftists the leftists around Bob Crane were American (german, Pole, jew, Italian, Irish) through and through. They saw in Hogan's Heros a chance to engage in what actually happened in the war. For the allies. And oh god did those episodes hit hard on rewatching, but also for the Comintern. Hogan' Heros was a "jew play" in a way of a torture of an other, with the other first being "the german" and then being "the allied." Season two took it to an extent nobody could have expected as West Coast collegiate connections linked US Army "law of war" doctorates with hollywood writers. The result was at first as unexpected as the homosexual three way of I dream of Jeannie. And then the analysis started. And it hit home. Later US Military Doctorates would commence from Hogan, but it was Hogan which was there first. The vast atypical deaths amongst Soviet POWs were first brought to western attention through Maksim or Sergey, with their palid starved forms and their lack of integration into the ever successful allied communications network of Hogan.
But then it got worse.
"Nothing I know Nothing."
Despite a majority of "German" actors being jewish in Hogans Hero's it was the deep criticism of every day germanness that broke "Hitler First" narratives in America. By 1986 America was solidly talking about social structures of exploitation and violence in Germany, and thus reflecting on the racial structure of America. This created runctions, prepared for by liberation movements, but by far and away nobody had expected that every day Shultzes would be the inflictors of genocide as summarised later in Browning C.
yours,
Sam R.
(they even had a Free French fighter… I guess all the Soviet pilots were, disposed, otherwise.)
Who is missing.
You know me Hogan, I know nothing. Nothing.
* * *
Unlike the Academic leftists the leftists around Bob Crane were American (german, Pole, jew, Italian, Irish) through and through. They saw in Hogan's Heros a chance to engage in what actually happened in the war. For the allies. And oh god did those episodes hit hard on rewatching, but also for the Comintern. Hogan' Heros was a "jew play" in a way of a torture of an other, with the other first being "the german" and then being "the allied." Season two took it to an extent nobody could have expected as West Coast collegiate connections linked US Army "law of war" doctorates with hollywood writers. The result was at first as unexpected as the homosexual three way of I dream of Jeannie. And then the analysis started. And it hit home. Later US Military Doctorates would commence from Hogan, but it was Hogan which was there first. The vast atypical deaths amongst Soviet POWs were first brought to western attention through Maksim or Sergey, with their palid starved forms and their lack of integration into the ever successful allied communications network of Hogan.
But then it got worse.
"Nothing I know Nothing."
Despite a majority of "German" actors being jewish in Hogans Hero's it was the deep criticism of every day germanness that broke "Hitler First" narratives in America. By 1986 America was solidly talking about social structures of exploitation and violence in Germany, and thus reflecting on the racial structure of America. This created runctions, prepared for by liberation movements, but by far and away nobody had expected that every day Shultzes would be the inflictors of genocide as summarised later in Browning C.
yours,
Sam R.
(they even had a Free French fighter… I guess all the Soviet pilots were, disposed, otherwise.)