Prologue: Humiliated and Insulted
Tsar Nikolai II and Tsarevich Aleksey Nikolaevich, in happier times
Awakening in his bed, Tsar Aleksey found that the silk sheets gave him little comfort these days. Instead, the Tsar chafed at the restrictions in his life. He had become accustomed to a gilded captivity since childhood, but this did little to ease his frustration. Under his father, the reach of the Tsarist autocracy spread all through the vast lands of Russia and beyond, but now even he, in name the ‘Imperator Vserossiyskiy’, ‘Emperor of All Russias’, was far from the most authoritative person in this palace. There was a stinging irony in the fact that armies singing his name had marched to the very centre of Europe, winning for him an empire which he seldom got to see. He felt ill, as he usually did in the warm weather of the summer capital of Tsargrad. He much preferred the crisp winters of Petrograd.
There he reminisced of his childhood. In his memory even the mundane had assumed a magical quality. He remembered sitting in meetings with his father and the ministers, the latter arguing and gesticulating wildly whilst Aleksey’s father Nikolai calmly smiled and lay his hand on his son’s head, lovingly running his fingers through Aleksey’s auburn locks. His father could not have been more different to that mad Siberian mystic who treated his illness as a child. Aleksey had never understood the relationship his mother and father had with that Rasputin, the strannik of the wild eyes. He wondered whatever happened to him, for a moment, before his thoughts went back to those meetings. Those gesticulating ministers had, in hindsight, developed a comic quality, particularly in contrast with Russia’s new rulers. Emerging from myriad sources, but largely from the lower nobility, the Pochvenniki dominated Russia now. These men were much harder, more severe and fanatical than the pompous, bloated ministers of yesteryear. They spoke much of Pravoslaviye, Samoderzhaviye, Narodnost' (Orthodoxy, Autocracy and Nationality), but would not let a mere Tsar stand in their way. Not that he had resisted all that steadfastly, mind you, until recently. But in his hearts he knew his acts of defiance, refusing food, panicking bodyguards, running off from his minders during his daily walks, were in the end meaningless. Petty. Inconsequential.
Aleksey recalled the byliny tales of his youth. As a small child he loved the tale of Ilya Muromets. That brave knight had been even sicklier than he had been, unable to walk until well into adulthood. Yet he became imbued with superhuman strength, a Russian Herakles that vanquished the deceitful Solovei-Razboinik, the Nightingale Robber. In adolescence he began to identify more with Alyosha Popovich, the trickster who defeated the monster Tugarin Zmeyevich through cunning. Although a relatively active child, he had learnt to use his wits to entertain himself due to his family’s concerns over his hemophilia. Later in his life, he began to embrace in his mind the story of Dobrynya Nikitich, representative not of himself, but of the Russian state. In the old story, Dobrynya Nikitich defeats against all odds the three-headed dragon Zmey Gorynych, who Aleksey associated in his mind with the Germans, Turks and Austro-Hungarians, crosses the ‘Saracen Mountains’, the Kavkaz, and frees the niece of Knyaz Vladimir, just as Russia had freed the Balkan states from the Turkish menace. Aleksey recalls the triumphant feeling in his heart after the defeat of the three-headed dragon. He was the first Tsar to receive coronation in the Hagia Sophia. Such a triumph now seemed hollow. In his childhood he had entertained fantasies of being an adventuring bogatyr. Now he felt like little more than a coward, albeit against his will.
His heart sunk into his stomach every time he asked one of his ‘advisors’, or more accurately his overseers, about the shape of the empire. He rarely got more than a curt ‘horosho’ or ‘normalno’. Even the newspaper he was given each morning was printed especially for him. No other publications, aside of course the classics of Russian literature, were permitted to be brought into his possession. This was justified, as most deceptions were nowadays, as a "defense of the integrity of the imperial household from the scourge of zapadnichestvo", or "decadent Westernism". Occasionally, on state visits, he had managed to get access to other texts. He had always had a knack for getting along with foreigners, and sometimes they managed to sneak him British, French, American and German newspapers. More often than not, they painted a grim picture of what was going on in Russia, with rumours abounding about mistreatment of various groups, particularly Jews and socialists. Sure, these things had been going on for years, but now it seemed to have gotten much worse. Once he asked one of his minders about the pogroms. He knew from the response that it was better not to ask a second time.
Weary already of such thoughts, made himself some tea. As he poured hot water from the samovar on his breakfast table into his cup of tea concentrate, he glanced out the window. One of the imperial guards, standing some distance away, stared at him. His avtomat pointed to the sky in an unthreatening manner, but the blue-grey gaze of the guardsman made Tsar Aleksey uncomfortable. If they were here to guard him, why are they looking in his direction, rather than outward for threats? Of course, he had known the answer to that question for years now. The Tsar’s heart skipped a beat at the sharp sound of knuckles rapping on the door. Tsar Aleksey didn’t utter a word. Part of him feared even to let forth a breath. A click sounded as the door was unlocked from the outside. The doorknob turned slowly, in time with the creeping dread which filled the heart of the young Tsar. The door opened to reveal a diminutive bondservant woman, barely past the age of twenty. “Oh, you’re awake your Imperial Highness!” she exclaimed, clearly nervous. Tsar Aleksey sighed a breath of relief and began chuckling. “I’m so sorry your Imperial Highness, I…” she started, her arms trembling, shaking the silver platter upon which lay the Tsar’s breakfast. “It’s alright”. The Tsar chuckled, motioning at his table. As the bondservant bent over to put the platter on the table, Aleksey noticed bruising on the girl’s neck. “Your neck…” he began. Immediately a look of deep shame came over her countenance, her eyes welling up almost immediately. The young lady scurried out of the Tsar’s bedroom. The Tsar stood there for a while, before striding over to the door, closing and locking it. He walked over to his window. The guard with the blue-grey eyes wasn’t there anymore. He had been replaced by some other Cossack, this one with dark hair and eyes. The Tsar knew that he knew little, but perhaps that was better than knowing what he did not know? Perhaps ignorance was bliss, but if this was bliss, what Hell must lie outside? A flicker of disdain went across the Tsar’s face as he grew irritated with himself. What pointless questions, he thought. The Tsar abruptly pulled the curtains closed, and sat down for his breakfast.
Victor Vasnetsov's 1898 painting 'Bogatyrs' (Богатыря), now stored in Tsar Aleksey's bedchambers inside the Bosphoran Palace in Tsargrad
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So, yet another timeline you'll probably never finish. Nice. What's this one on?
Basically, it's a surviving Imperial Russia timeline. But no, it's not one of those "alt-RCW" timelines. The divergence is earlier.
'Spengler's Prophecy'? What's that supposed to mean?
So basically, it's a reference to Spengler's magnum opus "Decline of the West". Whilst he has some dubious logic about quite a few things, Spengler also has some interesting theories. The most fascinating of these in my mind was the idea that the Western (or 'Faustian') civilisation was doomed to collapse as a result of its materialism (this is seen as the price for its technical and technological advancement), which would be eclipsed by a rising Russian (or 'Dostoevskyan') civilisation that would be distinct from the West.
I considered this, and in my view it wasn't an unreasonable prediction for Spengler, given the time period in which he was writing. As with any broad stroke theory like his, there are going to be quite a lot of inaccuracies. No-one gets everything right. But in my mind, the Bolsheviks, at least to a degree, were a 'westernising' influence. What if they never took power? How will Russia's reactionary forces (the aristocracy, the monarchy, the church) react to the modernisation of an increasingly industrial Russia? This timeline is supposed to look at one possible outcome of this. It's not a 'Russia-wank' in the sense of a better outcome for Russia. Russia may well be more powerful, at least at times in this TL, but it is not necessarily a better place to live. But I don't want to give too much away. Stay tuned.
A Note on Transliteration:
For Russian words and names, I will generally romanise the Russian Cyrillic alphabet directly where possible. For instance, Алексей will be rendered "Aleksey", rather than "Alexei". Part of this is my own taste, part of this is because my Russian flatmate hates when I use the latter. A similar principle will apply to certain place names. For instance, Дальний (Dalian in China) will be referred to as Dal'niy rather than the "Dalny" romanisation more common in English sources. However, well-known cities such as Port Arthur, Tsaritsyn and the like may be referred to either in accordance with their more common romanisation if I feel like it. Tl;dr -> the form transliteration takes is at my discretion.
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